As we celebrate the 40th anniversary of one of feminism's greatest influences, The Female Eunuch by Germaine Greer, Australian artist Caroline Williams gives us portraits of some of Australia's most extraordinary women in the exhibition Beyond the Persona: Eminent Women of Victoria, currently showing at the Mornington Peninsula Regional Gallery.
When the Graceful Taylor caught up with Williams recently to chat about her work, she observed that, together, these twelve sublime portraits of women including Rhonda Galbally, Moira Kelly, Christine Nixon and Joy Murphy Wandin, are "evidence of the outcomes of feminism". Williams told the Graceful Taylor that when she planned the series she "looked for women who were self-defined, who hadn't relied on marital or parental privilege to make their way in the world. (They) all came from households that understood education as a first step."
Williams herself acknowledges that feminism has been a major influence in her life and career. Working across history painting and politics as well as portraiture, this erudite artist is "happy to be one of 'stinking dogs of the 9th category'", referring to a quote by Madame Mao about artists. Her next project will take her to France as she explores "frontlines, landforms, warfare and security and global warming".
Williams likens the process of portrait painting to counselling; "there is a need for both collaboration and cooperation...like therapy (the artist has) to be in charge but you can't control it".
This beautiful exhibition, also touring to the Latrobe and Benalla Regional Art Galleries, is an opportunity to look beyond the public persona of women we all think we know, to what lies at the heart of their achievements - the ability, at often a very young age, to define for themselves who they are and what they want to achieve in their lives. It's something the Graceful Taylor thinks Caroline Williams also demonstrates in spades!


















